Born Folkestone, UK, 1966. Studied at Goldsmith’s College, (1985–88) and the Slade (1991–3). Lives and works in London.
Jyll Bradley makes installations, films, drawings and sculptures. Her work first emerged in the late 1980’s within a cohort of artists interested in combining the formal vigour of Minimalism with ideas of identity and place. Light has been a constant protagonist in her practice, from her early photographic light-box installations to her work with fluorescent plexiglas. Through a process of ‘queering minimalism’ her work grafts personal narratives with light-reactive futuristic materials.
Bradley’s acclaimed public realm commissions – including The Hop, for the Hayward Gallery, Green/Light (for M.R.) for The Folkestone Triennial and Dutch/Light for Turner Contemporary – reference generative structures such as hop gardens and glasshouses, expressing what she sees as the practical, spiritual and emotional work involved in growing a sense of self, place or community. Bradley’s sculptures have increasingly become sites of activity such as dance and performance. This has further developed through the creation of new films such as M.R. (2021) and Woman Holding a Balance (2021) which explore the works’ ‘world’ and ecology. These innovations reflect Bradley’s interest in sculpture as a potent gathering place of people and ideas.
Jyll Bradley’s projects for 2023 include The Hop, which will form the centrepiece of Frieze Sculpture, London and Within a Budding Grove at Pi Artworks, London. She studied at Goldsmith’s College (1985–88) and The Slade (1991–3) and has exhibited extensively in the UK and internationally including: The Hayward Gallery (2022), Kaunas European Capital of Culture (2022), The Fruitmarket Gallery (2021–2), Sculpture in the City (2020, 2019, 2018); New Art Centre, Roche Court (2017); The Drawing Room Biennial, London (2021, 2019, 2017, 2015); The National Library of Australia (2013); the Bluecoat, Liverpool (2011); Newlyn Art Gallery (The Exchange), Penzance (2010); the Walker Art Gallery, Liverpool (2008); Arnolfini, Bristol (2005); Museo De Antioquia, Medellin, Colombia (2004); Vitamin Creative Space, Guangzhou, China (2004); The British Art Show, Hayward Gallery, London (1990), Riverside Studios, London (1988).
Bradley’s work is held in numerous national and international private and public collections including the Arts Council Collection, UK, Government Art Collection, UK, the Walker Art Gallery, Liverpool; the National Library of Australia and Canberra Museum and Art Gallery.
1985–1988
Goldsmith’s College, University of London
BA (Hons) Fine Art, First class
1991–1993
Slade School of Art, University of London
Higher Diploma, Fine Art
Long-time collaborator Will Martin has made a new film celebrating the year long life of The Hop at the Hayward gallery. The film is written and narrated by myself and features many of the creatives who were inspired by The Hop.
Jyll Bradley and Hayward Director Ralph Rugoff introduce Bradley’s commission The Hop. Film by Joel Stagg for the Southbank Centre.
A dance film made in response to The Hop with choreography and music by Adesola Akinleye. Filmed and edited by Dan Martin.
Jyll Bradley gives an updated interview about her work originally made for The Folkestone Triennial 2014. By Oliver Parkin.
Jyll Bradley discusses her work for The Folkestone Triennial 2014. By Jared Schiller for The Folkestone Triennial.
Studio International film on Bradley’s Folkestone Triennial work. By Anna McNay and Martin Kennedy for Studio International.
A film by Rob Nugent on Bradley’s ‘City of Trees’ project, which was commissioned to help mark the centenary of Canberra in 2013.
Jyll Bradley introduces her new, permanent installation for Hopital Roger Salengro, CHRU, Lille, France.
By Maryline Migot for artconnexion.
Essay that accompanied Bradley’s solo exhibition The friend I have/is a passionate friend at Mummery + Schnelle, London, UK, 2014.
Interview with curator Gill Hedley on the occasion of Bradley’s exhibition of the same name at Mummery+Schnelle, London, UK, 2014
Essay that accompanied Bradley’s exhibition at artconnexion in Lille, France in 2012 (published by artconnexion, Lille, 2002; English translation from p.18).
Essay exploring Bradley’s recent ‘light drawings’ in relation to her light box works; written to coincide with the artist’s exhibition at The Exchange, Penzance in 2010, a show which then toured to the Bluecoat, Liverpool in the following year (catalogue published by Newlyn Art Gallery and The Exchange, Penzance, UK, 2011).
An in-depth interview between Bradley and Caroline Collier (Director of Tate National) on the artist’s life and work to date; catalogue details as above.
with Mary Ramsden and Simon Callery
Curated by Sarah Elson and Veronique Parke
Inter-disciplinary Residency
Centenary of Canberra
The Calouste Gulbenkian Foundation
Curated by Greg Hilty
Curated by the Bluecoat, Liverpool
Funded by the British Council
Part of the Artist Links programme, supported by the Arts Council England and the British Council
Nominated for the Paul Hamlyn Foundation Awards for Artists
Nominated for the Paul Hamlyn Foundation Awards for Artists
Nominated for the Paul Hamlyn Foundation Awards for Artists
Nominated for the Beck’s Futures Awards
Artists’ Bursary Scheme, Artsadmin
European Broadcasting Union Award
Best Radio Script 1998 for Filet de Sole Veronique
Julian Sullivan Award, Slade School of Art
As well as belonging in numerous private collections, Bradley’s work also features in the collections of the following institutions:
Folkestone Artworks, Folkestone, Kent, UK
Cambridge CB1 Public Art Collection, Cambridge, UK
CHRU, Hôpital Roger Salengro, Lille, France
The Government Art Collection, London, UK
The Walker Art Gallery, Liverpool, UK
The National Library of Australia, Canberra, Australia
Canberra Museum and Art Gallery, Canberra, Australia